Remove Background from Photo Online
AI removes the background in seconds, clean at the edges. Processing runs locally on our own hardware, your photos never go to the cloud.
Which model to choose
Universal (default)
Fits most tasks: objects on a background, clothing, footwear, simple jewelry with large elements. Speed 1-3 seconds.
Fine detail
Tuned for fine structures: chains, weaves, wires, lacework, fringe, tiny diamonds. If the universal mode smeared a chain outline or lost a stone, switch here. Speed 2-4 seconds.
Portrait
Made for people. Works great with hair and hairstyles. Use it for photos of models wearing jewelry.
High resolution
Optimized for 2K+ images. Use it if your source is 4000+ pixels and you want maximum detail. Slower, 4-8 seconds.
How to use it
- Drag a photo into the upload area (or click to pick one)
- Choose a mode (if unsure, leave Universal)
- Click Remove background
- In 1-5 seconds get a PNG with a transparent background
- Download the file and use it
FAQ
Are my photos stored anywhere?
The uploaded source is kept on the gdefoto server for up to 1 hour (to process and let you download the result), then deleted automatically. The result is kept for 24 hours, then also deleted. Nothing is shared with third parties.
Is there a limit on the number of photos?
In the no-signup mode: 10 photos per minute and 60 photos per day per IP. For commercial use with high volume, message us in chat and we will give you an API key with higher limits.
What if AI processed my photo poorly?
First try another model. If that does not help either, it is a hard case (fur, transparent glass, very small elements) that needs manual retouching. You can order it from us from €1 per photo.
Can I use the result commercially?
Yes. No restrictions on commercial use. Use the ready PNGs on marketplaces, in catalogs, ads and print.
What is the output format?
PNG with an alpha channel (transparent background). If you need a white or colored background, open it in an editor and add a backing layer.
If AI could not handle your case (fur, glass, tiny diamonds), leave a request and we will do it by hand with a pro retoucher.
What a transparent background is actually for
A transparent background matters wherever a product image has to sit inside the layout of someone else without dragging a piece of your studio along with it. The most common case is marketplace listings. Amazon, eBay, Etsy and most Shopify themes expect a white or plain background on the main image, and moderation rejects frames with a table shadow, a tripod reflection or a clipped lightbox corner.
The second case is your own site and catalogue. A PNG with an alpha channel drops onto any theme colour, behaves correctly in dark mode and never leaves a grey rectangle around the product when the design changes. Cut it out once, reuse it for years.
Then comes everything assembled from ready-made elements:
- ad creatives for social feeds, where the product sits on a gradient or a texture;
- collages and set images: several angles, a bundle, a size range in one frame;
- listing infographics: callouts, arrows and captions around a clean object;
- printed catalogues and price lists, where the background has to match the paper;
- dropping a product into an interior or lifestyle scene without reshooting.
Product feeds for ad platforms and aggregators deserve a separate mention. There the image is compressed and cropped automatically, and a clean object on white survives that pipeline without edge artefacts, unlike a shot with a busy background.
A simple test: if the same product photo has to work in several places at once, on a listing, in a banner and in a wholesale deck, it is cheaper to get one clean PNG than to reshoot for every new background.
Hard cases: hair, fur, glass, chains
Not every object cuts out the same way. Trouble starts where the boundary is physically soft or semi-transparent, meaning a single pixel belongs to both the object and the background at once.
- Hair and animal coat. Individual strands are thinner than a pixel. The Portrait mode computes partial transparency for them, but if the hair was shot against a similar tone, nothing will pull it out, neither an algorithm nor a hand.
- Fur and pile. The hardest material: hundreds of chaotic tips plus the gaps between them. Automatic tools usually give a usable silhouette but lose the fluffiness.
- Clear glass, bottles, lenses. You see the background through them, so the algorithm honestly counts them as background. The correct result here is not a cutout but a rebuild: keep the highlights and reflections, drop everything else.
- Chains, openwork, lace, weaves. Lots of tiny holes. Switch to the fine detail mode, otherwise the gaps between links get filled in as solid object.
- Shadows. Decide upfront whether you need a contact shadow. If yes, shoot it separately or paint it after the cutout, because a shadow lifted together with the object carries the old background colour.
Practical rule: the closer the object colour is to the background colour, the worse any algorithm performs. That is solved on set, not in post.
How to shoot so the cutout comes out clean
Roughly 80% of cutout quality is decided before you press the button. A few rules that save hours of retouching.
- Contrast between subject and background. Shoot dark products on a light backdrop, light ones on mid grey. White sneakers on a white table guarantee eaten edges.
- An even backdrop. Seamless, no creases, seams or gradients. A fold in fabric reads to the algorithm as a contour.
- Separate the object from the backdrop. Half a metre of distance removes colour reflections and stops the cast shadow from landing on the background.
- Soft diffused light. Hard sources produce sharp shadows that stick to the object and blown highlights where the edge dissolves.
- Focus and aperture. The object must be sharp along its whole outline. Use f/8 to f/11 for product work so the far edge does not drift out of focus: a blurred edge cannot be cut cleanly by any method.
- Resolution and format. Shoot with headroom, from 3000 px on the long side, with minimal compression. JPEG artefacts around fine detail get mistaken for structure.
For glass and gloss, add black or white flags at the sides. Controlled reflections look tidier than random ones and the object boundary stays unambiguous.
After the cutout: PNG, white background and file weight
A transparent PNG is a master file, not the final asset for a platform. What comes next depends on where the image is going.
- Marketplaces. Almost all of them want a white background rather than transparency. Place the cutout on a white layer, leave 5-10% margins around it and export JPEG. Most platforms will render a transparent PNG on white anyway, but you risk a grey fringe along the edge.
- Your site and catalogue. Keep PNG or WebP with an alpha channel. Transparent WebP weighs 2 to 4 times less than PNG at the same quality and is supported by every current browser.
- Social and banners. Keep the transparent master, export separately for each placement.
On dimensions: 1000 to 2000 px on the long side covers both the thumbnail and the zoom view. Beyond 3000 px only makes sense for print. Keep a listing image under 300 to 500 KB, otherwise page speed suffers, and on mobile so does conversion.
One habit worth building: a single margin and a single object scale across the whole catalogue. Mismatched product sizes on white look sloppy even with a perfect cutout.